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By creating designs for the fun of it, and then shelving them, I can often present a creative solution that is innovative even when there is a very challenging deadline, painter porn. Inthe Kennedy Centre in Washington D. For several decades artists designed large works to be seen from one specific point of view. I could just suck on her tits for days. He uses anamorphism - the technique traditionally used by artists to create the illusion of height - in his work as a means of lending depth to the street surface.

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Get more credits here Want to log off? The most famous example is Michelangelo's 16th century design for the Sistine Chapel in Rome. He's also been kind enough to share some photos of his art with us; check out the full gallery on his website. Working in public areas is an entirely different issue for me. The contact window provides an opportunity to ask questions or make requests. What kind of chalks are you using? Latest Babe Comments Showing 10 of 13 comments, painter porn.

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Kurt Wenner is a Master Artist and Master Architect famous for inventing three-dimensional pastel drawings. Anamorphism is usually considered a form of Illusion or Trompe l'oeil, but is really the logical mathematical continuation of Perspective.

While studying Classical Architecture and Perspective, Kurt Wenner applied the principles of Classical Drawing and Classical Design to the sidewalk, completely transforming the art form. Masterpieces in Chalk was the National Geographic documentary that established 3D Street Painting as a new art form, but only after 15 years could other artists sometimes with the aid of computer programs replicate the illusions.

The most recent development in pavement art is interactive pavement art. Interactive sidewalk art, interactive pavement art, and interactive street painting, are all terms that describe large-scale paintings that allow members of the public to pose on them. Photographs of the works with participants posing on them are often posted on websites in order to take advantage of social networking.

Art and Architecture Kurt Wenner is a master artist and architectural designer with an international following. He is a muralist, sculptor, and ceramic artist.

The scope of his work ranges from villas and residential architecture, to lavish interior design with original works in paint and decorative relief as well as classically inspired product design. In addition to works of art, Wenner develops educational programs, painter porn, seminars and workshops, and corporate services. This site contains numerous galleries, with pavement art, drawings, architectural designs, paintings, murals, interior and exterior design, fine art and decorative relief.

The contact window provides an opportunity to ask questions or make requests. Information about buying the book, Asphalt Renaissance is also provided, as well as a Short History of Pavement Art, and answers to the 15 most asked questions.

Today realism is painter porn one more fashion, which can leave a Renaissance talent out in the cold. That's exactly where Kurt Wenner often works. A former scientific illustrator for NASA, Wenner is a street artist par excellence, painter porn, who draws amazing original works and occasional reproductions in chalk and pastel directly on the street. Hospodar, painter porn, exhibits his sidewalk murals of classical compositions — destined to be washed away by time and rain — that might have put Michelangelo to shame at least the church let him do his indoors.

Wenner, who learned perspective and dimension in Italy, is one of an increasingly popular breed of street performers who earn tips for their artistic labors. At least the bills are higher denominations these days, as Wenner is invited the world over to decorate various public spaces. To Eastern minds, the impermanence of street painting is completely natural, even unremarkable. They are most fascinated by the drawing style itself, which is very exotic and intriguing to them.

But it is also a process book. Although Wenner's own comments are sometimes inspiring and the text is enlightening "The invention of an entirely new form of perspective was born out of Wenner's need to make an irrefutably original artistic statement within the context of classicism"I could have done without the layout tricks, painter porn, including photo captions in obtrusive color bars with faux chalk shadows.

The monumentality of the hot deepthroat porn also begs for a larger format than this. But no book could be as incredible as Wenner's live work, which would be difficult to reproduce under any circumstances.

Wenner's specialty is the centuries-old practice of street painting. But what sets him apart from other artists who cover swaths of public space with their work is that Wenner's work is 3D. It appears to drop deep beneath the ground into another world--one often filled with characters from Greek mythology or a fairytale, painter porn. We asked Wenner a few questions about how he creates his larger-than-life installations and what it's like to be an artist working in the midst of a crowd.

He's also been kind enough to share some photos of his art with us; check out the full gallery on his website. I started to paint on the streets of Rome, Italy in I was studying in the museums directly from the great master works of art and needed a way to make ends meet. For six months I spent eight hours a day drawing and learning from paintings and sculpture. At first I sold the studies to tourists and museum guards, but it did not cover my expenses.

I did not speak Italian and had no permission to work in the country. One day, I saw a street painting and asked the artist what he was doing. He explained the tradition of street painting in Europe to me, where it painter porn a traditional form of folk art. After viewing my museum drawings he asked if I'd like to paint the head of an angel while he went to lunch. At the time, it was not a sophisticated art form, and my drawing skills were more than sufficient in order to distinguish myself.

Working with the chalks came very naturally, and from that point on I've been street painting. The three-dimensional street painting is my own invention. I created it by studying a type of anamorphism that existed in the 17th century. For several decades artists designed large works to be seen from one specific point of view. I was invited to climb the scaffolding in several churches to see he frescos up close during the restorations. I even touched the Sistine Chapel ceiling.

On huge silicone implants porn of the baroque ceilings I noticed that the figures were elongated to appear normal from the ground.

I was aware that my street paintings were subject to similar viewing circumstances- people looked at the work from an angle rather than straight-on. I started creating my particular perspective geometry by adjusting the proportions of the painted forms to accommodate the viewpoints of the spectators standing at the base of the work. Unlike traditional anamorphic compositions, such as church ceilings, the viewing angles were very wide, painter porn, and I started to use a curvilinear fisheye lens to document the compositions.

My own geometry is different from the 17th century works, and I have not published it. It combines a logical use of linear perspective with a projection outward from the human eye. Other artists that emulate the three-dimensional pavement works use a more traditional geometry called "quadratura" that does not involve complicated calculations. They do not understand that my geometry is unique.

What's your favorite project that you've completed? Is there a least favorite or one that was most challenging? I think the image "Dies Irae" remains my favorite work because I learned the most from it.

Now I am working on stereoscopic street paintings, which are a lot of fun. I am happiest when I am trying to solve an interesting problem. When it is solved, I tend to move on to another idea or problem. Street painting initially requires a lot of courage.

Few artists are immediately comfortable sharing their creative process; it is intimidating to them. What I have found is that the process results in a catharsis. The artist learns that the public does not actually understand the process well enough to be critical, and is truly fascinated by the creative process, even if it is imperfect. It is a great liberation to learn this. That being said, street painting for tips was initially a survival skill.

It was immensely difficult, but the rewards have been proportional to the effort. I usually spend about a week and a half on the conceptual part of a project and a week to ten days on the execution. I have a lot of preparation done for a painter porn of possible future projects, and this makes it possible to produce works faster if need be. How do you come up with ideas for new installations? Do you work with companies or brands for promotional pieces?

Much of my current work is done for promotional purposes, and this can influence the designs, painter porn. Many companies come to me with conceptual briefs based on my past work, but I also have a large cache of new ideas for projects.

This is very important for keeping the work fresh. By creating designs for the fun of it, and then shelving them, painter porn, I can often present a creative solution that is innovative even when there is a very challenging deadline. Street painting has always had a fantastic popularity with the public. It is difficult to imagine another art form that would have such a widespread demographic.

In the beginning the reaction was surprise, wonder and a bit of confusion. Now people approach the image with expectations painter porn what to see. The diffusion painter porn the images has been broad. I sometimes miss the old days for the reaction of the audience. What's the hardest part about working outdoors and painter porn art in public areas?

What's the best part about it? Working outdoors is not comfortable like it is in the studio. The environment is often too hot or cold, the light may be harsh or dim, and it can be noisy and distracting.

Sometimes it is so pleasant that one feels privileged for the experience, but this is rarely the case. Working in public areas is an entirely different issue for me. If I am not in physical discomfort, I can honestly say that I really enjoy working in public.

There is a certain energy I get from the spectators that is really enjoyable and conducive to creating. I am working on creating books and programs that will teach geometry, perspective and illusion as well as classical drawing and painting.

I currently have a book out, Asphalt Renaissance, which covers my street painting experiences and the history of the art form by Sterling Publishing in New York.

I have also developed a new kind of stereoscopic street painting that premiered in London. Elizabeth Haggarty Toronto Star- If the sidewalk in front of you suddenly opens up to reveal the depths of Hell, you've probably stumbled across the work of Kurt Wenner.

Street artist, geometry innovator and former NASA employee, Wenner has been mastering the art of 3D drawings since when he abandoned his native California to study Renaissance painting in Italy. Covering sidewalks in images of beautiful sirens and marauding monsters for pedestrians to stumble upon wasn't always part of Wenner's plan. Working with the chalks came very naturally, and from that point on I've been street painting," Wenner explains.

Street art has a history in Italy dating back to the 16th century, when vagabond artists called madonnari would draw religious effigies on the streets with the hope that passersby would throw money on them in hope of a miracle or blessing. But back then 2D was the norm.

Five hundred years later Wenner hit the scene and anamorphic — or 3D — street painting was born.

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